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By Louise Erdrich

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An Amazon Best Book of May 2016: The premise of Louise Erdrich’s stunning La Rose is provocative. A man goes deer hunting and accidentally shoots and kills his neighbor’s son; so consumed by guilt and sorrow, the man and his wife agree to give their son LaRose to the distraught neighbor to raise. It was their penance, as both Catholics and Ojibwe. From this shocking and painful beginning, Louise Erdrich spins an amazing, complex tale of love, family, obligation; the book moves among generations and eras (La Rose is a family name that has been used by both males and females), arriving at a present day conclusion that is both thoroughly modern and rooted in indigenous culture. This is Erdrich at her best, weaving together Native American and white culture, the strands of America. But what makes this book particularly strong – and what even those of us who love Erdrich’s books can sometimes forget – is what a beautiful writer she is. One character is “a branchy woman, lovely in her angularity.” She also can be wryly observant – “suddenly it seemed everyone was saying it is what it is…as though this was a wise saying.” And her depiction of a kind of practical joke two kids play with a school bus is equal parts joyful and terrifying. If you haven’t read Erdrich before, LaRose is a good a place to start; if you have, you won’t want to skip this lovely, smart addition to the canon. --Sara Nelson

Erdrich spins a powerful, resonant story with masterly finesse. As in The Round House, she explores the quest for justice and the thirst for retribution. Again, the setting—a North Dakota Ojibwe reservation and a nearby town—adds complexity to the plot. Landreaux Iron, an Ojibwe man, accidentally shoots and kills the five-year-old son of his best friend, farmer Peter Ravich, who is not a member of the tribe. After a wrenching session with his Catholic priest, Father Travis, and a soul-searching prayer in a sweat lodge, Landreaux gives his own five-year-old son, LaRose, to grieving Peter and his wife, Nola, who is half-sister to Landreaux's own wife, Emmaline. In the years that follow, LaRose becomes a bridge between his two families. He also accesses powers that have distinguished his namesakes in previous generations, when LaRose was "a name both innocent and powerful, and had belonged to the family's healers." Erdrich introduces this mystical element seamlessly, in the same way that LaRose and other Ojibwes recognize and communicate with "the active presence of the spirit world." The magical aspects are lightened by scenes of everyday life: old ladies in an assisted-living home squabble about sex; teenage girls create their own homemade beauty spa. Erdrich raises suspense by introducing another, related act of retribution, culminating in a memorable and satisfying ending. (May)\n

“A masterly tale of grief and love…Erdrich never missteps…The recurring miracle of Erdrich’s fiction is that nothing feels miraculous in her novels. She gently insists that there are abiding spirits in this land and alternative ways of living and forgiving that have somehow survived the West’s best efforts to snuff them out.” (Washington Post)

“The rewards of LAROSE lie in the quick unraveling and the slow reconstruction of these lives to a moment when animosities resolve, like shards of glass in a kaleidoscope, into clarity and understanding...Told with constraint and conviction...” (Los Angeles Times)

“You’re going to want to take your time with this book, so lavish in its generational scope, its fierce torrent of wrongs and its luxurious heart. Anyway, you may have no choice, as you fall under the spell of a master… Like Toni Morrison, like Tolstoy, like Steinbeck, Erdrich writes her characters with a helpless love and witnesses them with a supreme absence of judgment…[a] beautiful novel.” (San Francisco Chronicle)

“Remarkable…As the novel draws to a conclusion, the suspense is ratcheted up, but never at the expense of Erdrich’s reflective power or meditative lyricism…One of Erdrich’s finest achievements.” (Boston Globe)

“Incandescent…Erdrich has always been fascinated by the relationship between revenge and justice, but…LaRose comes down firmly on the side of forgiveness. Can a person do the worst possible thing and still be loved? Erdrich’s answer is a resounding yes.” (New York Times Book Review, front page review)

“...a magnificent, sorrowful tale of justice, retribution, and love.” (Vanity Fair)

“[Erdrich] has laid out one of the most arresting visions of America in one of its most neglected corners, a tableaux on par with Faulkner, a place both perilous and haunted, cursed and blessed.” (Chicago Tribune)

“…[a] sad, wise, funny novel, in which [Erdrich] takes the native storytelling tradition that informs her work and remakes it for the modern world, stitching its tattered remnants into a vibrant living fabric.” (Minneapolis Star Tribune)

“…[a] superb new novel…[Erdrich immerses] us in this remarkable world so thoroughly, so satisfyingly…” (Miami Herald)

“Erdrich’s richly layered tale brings a host of fascinating characters to life as it builds to its haunting resolution.” (People)

“Breathtaking…[LaRose] may be her most graceful creation…The recurring miracle of Erdrich’s fiction is that nothing feels miraculous in her novels. She gently insists there are abiding spirits in this land and alternative ways of living and forgiving that have somehow survived the West’s best efforts to snuff them out.” (Denver Post)

“Told with aching understanding…This timeless 15th novel stands as one of Erdrich’s best: comprehending and comprehensive, full of cascading, resonant details punctuated with spiky humor.” (Kansas City Star)

“Erdrich’s created an entire world, a realm bristling with a sense of place, where plots unwind and surprise, the spirit world suffuses everyday existence, and the past is as much a part of the present as breathing…magnificent…It is Erdrich at the top of her form.” (Providence Journal)

“A powerful evocation of two families’ struggle to overcome misfortune..” (Houston Chronicle)

“…a brutal, ultimately buoyant dramatization of the way unexpected kinships heal us.” (O, the Oprah Magazine)

“Mesmerizing… Throughout her body of work, Erdrich has woven complex narratives with rich character detail and the cultural traditions of her Native American background. In LaRose, her greatest strengths are on display as all these strands come together under her masterful control.” (Chapter 16)

“Erdrich suffuses the book with her particular sort of magic-an ability to treat each character with singular care, weaving their separate journeys flawlessly throughout the larger narrative, and making each person’s pain feel achingly real. All the while, she adds new depth to timeless concepts of revenge, culture, and family.” (Entertainment Weekly)

“A complex tapestry of retribution and acceptance…Ever the master of emotions, Erdrich…incorporates elements of guilt, justice and atonement.” (Bookreporter.com)

“In someone else’s hands, this might turn out to be a stark morality tale or a pure tearjerker. In Louise Erdrich’s, it’s something else altogether… a novel more generous and less predictable than might be expected, where revenge and human planning in general take second place to life working itself out in ways that no one human can predict or control.” (The Columbus Dispatch)

“Louise Erdrich’s latest novel LAROSE is, as usual, a gift to treasure… Erdrich writes about reconnection and reconciliation with such purity and precision, she’ll crack your heart right open, then mend it with care and leave your whole soul singing with joy.” (Buzzfeed)

“A fiercely resonant exploration of love, loss, and the tangled ties that bind.” (Entertainment Weekly, "Best Books of 2016 so far...")

“Electrifying...Louise Erdrich’s...most brilliant novel. (The Twin Cities Pioneer Press)

“A stunning novel…A heartbreaking tale of love, family, and obligation that spans generations.” (Real Simple)

“…[a] meditative, profoundly humane story…Electric, nimble, and perceptive, this novel is about ‘the phosphorous of grief’ but also, more essentially, about the emotions men need, but rarely get, from one another.” (Kirkus Reviews (starred review))

“The radiance of this many-faceted novel is generated by Erdrich’s tenderness for her characters…magnificent…a brilliantly imagined and constructed saga of empathy, elegy, spirituality, resilience, wit, wonder, and hope that will stand as a defining master work of American literature for generations to come.” (Booklist (starred review))

“Erdrich spins a powerful, resonant story with masterly finesse…memorable and satisfying.” (Publishers Weekly Starred Pick of the Week)

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